T e c h n i c a l . R e q u i r e m e n t s
To book and for more information telephone or fax Red Sky Records (address at the bottom of the page)
SOLO: Johnny Coppin
PA System
6 Channel mixer and amp with good quality reverberation (not delay)
2 vocal channels and 3 instrument channels (2 keyboards + 1 acoustic
guitar)
2 good quality vocal microphones eg Shure SM58 plus 1 DI box for acoustic
guitar
2 boom microphone stands
2 foldback monitor cabinets for concerts and clubs if possible
Lighting
Good variety of colours: red/blue/yellow/straw etc (not green) and separation
between guitar and keyboard positions.
DUO: Johnny Coppin and Paul Burgess
PA System
8 Channel mixer and amp with good quality reverberation (not delay)
3 vocal channels and 5 instrument channels (3 keyboards + 1 acoustic guitar + 1
violin)
3 good quality vocal microphones eg Shure SM58 plus 3 DI boxes for acoustic
guitar/violin/keyboard
3 boom microphone stands
3 foldback monitor cabinets for concerts and clubs if possible
Lighting
Good variety of colours: red/blue/yellow/straw etc (not green) and separation
between guitar and keyboard positions and Paul's mike position. Some
backlighting for Paul (music/readings etc).
Stage Settings
Paul
Burgess X |
JC
guitar X |
JC
piano X |
___________________________________________________________________ front of stage |
TRIO: Johnny Coppin, Paul Burgess and Mick Dolan
PA System
12 Channel mixer and amp with good quality reverberation (not delay)
4 vocal channels and 6 instrument channels (3 keyboards + 2 guitars + 1
violin)
4 good quality vocal microphones eg Shure SM58 plus 4 DI box for 2
guitars/violin/keyboard
4 boom microphone stands
4 foldback monitor cabinets for concerts and clubs if possible
Lighting
Good variety of colours: red/blue/yellow/straw etc (not green) and separation
of 4 mike positions. Some backlighting for Paul (music/readings etc).
Stage Settings
Paul
Burgess X |
JC
guitar X |
JC
piano X |
Mick
Dolan X |
___________________________________________________________________ front of stage |
|